Saturday, February 27, 2010
Thursday, February 25, 2010
Provost Powerpoint Plan
Above is one of the Powerpoint slides that Provost Haggett presented to the Academic and Student Affairs committee of the BOT on Feb 15. Note that (1) the plan is obviously to dismember the College and its academic integrity/autonomy as guaranteed by department structures and disciplines, and (2) and, apparently, to entirely bypass the current CAS Dean in this process. Copies of the entire presentation will be sent around by various folks in the College. Or, if you email ASCBloggie.com, then
Wednesday, February 24, 2010
Beam Me Up Scotty
Evidently our esteemed Provost gave a presentation to the BOT that proclaimed a reorganization of the university. It would be nice if the faculty were let in on such a thing. It has long been my own point of view that reorganization is the last refuge of scoundrels. Any organizational structure works if you have the right people. No organizational structure works if you have the wrong people. Have you ever wondered why only higher education and the government have seen a growth in middle management? If the BOT really has "ideas" why not share them with those most affected--the faculty and students?
Truth and Beauty Hold Sway as VP Scarborough Addresses ASC
Yesterday afternoon VP Scott Scarborough dazzled himself and the Dean, who nodded approvingly in the back row, as he presented powerpoint slides that covered everything financial about the university except what he had been asked to talk about. ASC members appeared somewhat less dazzled.
As a performance, however, this reviewer rates the presentation an A+ Maybe even higher, a stellar piece of work. As useful, forthright information however, the grade is about a D-, this high mainly for the special effort demonstrated in placing a cute little ground squirrel image in the slides, shown "nibblng" away at the budget. But this nibbling strategy is no longer possible because "we" are down to the bone already, stated the VP. Imaginative solutions are required. Apparently, "imaginative" these days means unquestioned obedience to the will of Premier Jacobs. One also wonders who "we" may be. "We" certainly isn't Scarborough, Jacobs, the CAS Dean or any of the pet imaginary projects of this administration, which, imaginary or not, get a lion's share of funding despite the fact that they earn nothing.
ASC Chair Patrick, incidentally, pointed out during the Scarborough presentation that the questions Scarborough projected onto the screen were NOT the questions that had been sent to him from ASC and that had been collected from ASC members. Apparently there was some discussion and intervention at the level of the Dean's office which resulted in the substitution of soft questions that contributed to the peppermint fog atmosphere of the presentation.
No wonder the AAUP refuses to negotiate furloughs until the administration provides some forthright financial information. Based on what this reviewer saw yesterday, this administration, including the CAS Dean, seems to believe it is dealing with an audience of yokels.
The squirrel was cute. I suggest that another species of rodent shown gnawing away at the budget may have been a more appropriate choice.
The only clear message this reviewer gleaned from the presentation is that punitive budgeting of the Arts and Sciences College will not only continue, but increase.
Thank you, Mr. Scarborough, for an illuminating presentation.
Monday, February 22, 2010
Furloughs One More Time
1. Does the Provost have a brilliant plan and was merely missquoted by the IC?
2. Does the Health Sciences Campus Provost not need a plan?
3. Is the Provost of the Health Sciences Campus so busy promoting research and bringing in millions that this has just slipped his mind? By the by, rumor has it that research dollars on their campus have fallen for several years in a row. But that's probably just a rumor.
Sunday, February 21, 2010
Professor Heberle's Letter to BOT
Tuesday, February 16, 2010
The Letter
Furloughs--Again
Sunday, February 14, 2010
Research Active Description
“Research Active Faculty” in the College of Arts and Sciences
In the College of Arts and Sciences faculty members in all disciplines who create an ongoing record of publication in peer-refereed books or scholarly journals or make formal oral presentations at meetings of international, national, or regional scholarly associations are considered “research active.” Faculty members in the arts who produce original, peer-reviewed performances, works of art, or who play an integral creative role in such production (design, direction, conducting, curating, etc.) are “research active.” When grants in support of professional activity yield completed work that is published or publicly performed or exhibited, the grant writing is considered an aspect of research. Professional activity often can include various forms of public engagement or involvement related to one’s field of expertise, including developing community-oriented projects, workshops, and presentations, and the securing of grants for, or contracts or consultancies with community organizations, institutions, or agencies. This activity is also a characteristic of a “research active” faculty member, but is neither necessary nor sufficient to be considered “research active.”
Research Activity in the Arts
DRAFT 5
February 24, 2009
I. Guidelines for faculty who are research active in the Arts:
Research active faculty members in Art, Music, Theatre and Film may engage in traditional scholarly research, in creative activity, or in a combination of the two.
Production of any of the items or participation in any of the activities below, given appropriate quality as determined by the DPC and Chair, indicates that a faculty member is research active. The combination and number will and certainly should shift from year to year, but what should remain evident is steadiness and seriousness in pursuing a coherent research agenda. That is, scholarly and creative production should result in work which is recognized by established communities of thinkers, writers, artists and scholars at the local, state, regional, national and/or international level.
Research activity for the sake of reaching a numerical quota is discouraged. Department DPCs and Chairs must have the right and responsibility to judge and balance both quantity and quality when determining a faculty member’s research and creative activity contribution relative to teaching and service. Department DPCs and Chairs should also exercise their judgment in crediting a faculty member’s track record in producing quality scholarly and creative work.
For arts faculty engaged in traditional research, publication is of the highest value, given appropriate quality, but credit should be given to all activities that will eventually lead to publication. However, many of these faculty members are also expected to, or do pursue creative activity, curatorial activities or interpretive writing in the arts. Therefore, their research activity may be a combination of traditional scholarly activities, creative efforts, and /or unique undertakings related to the interpretation and exhibition or performance of works of art.
Creative activity in the arts most typically leads to an original, peer-reviewed performance, work of art, or accomplishment. Work that is published or publicly performed or exhibited is of primary importance, although creative activity can include various forms of public engagement or involvement related to one’s field of expertise, including developing community-oriented projects, workshops, and presentations. In addition, these faculty members may also pursue scholarly research, artistic criticism or curatorial work.
Only broad quantitative parameters are appropriate for research in the Arts. For instance, a research active faculty member may never produce a book, and yet publish a steady stream of important, substantial articles. In addition, some creative and scholarly activity, such as writing a book or full length play, creating a film or an in-depth artistic series or an extensive archive, or composing large musical works may well be multi-year projects. Evidence of ongoing research or creative activity that has not yet resulted in publication or other dissemination will be considered as “in progress” professional activity and will receive credit in proportion to its importance as described by the candidate and interpreted by the department.
II. Professional Activities: Lists and Examples by Discipline
MUSIC
CREATIVE ACTIVITY
Research active faculty members in Music engage in the following kinds of creative activity:
· Original compositions or recordings which are clearly the product of significant original research, discovery and/or creative effort.
· Composition of original music arrangements or transcriptions or editions
· Recording contracts
· Participation as either an entrant or juror on invitational music festivals, contests, etc.,
· Presentation of on and off-campus performances, papers, lectures, master classes, workshops, festivals, session(s) at professional conferences (e.g. OMEA, MENC, CBDNA, ACDA, CMS, etc.) and other venues.
· Performances of original compositions or transcriptions or editions
· Commissions
· Award or prize for compositions, performances, and printed materials
· Adjudication of music festivals, contests, etc.,
· Consulting of a professional nature
· Serving as a clinician
· Other professional activity that draws upon the expertise of the faculty member (e.g. talks, panels, curriculum writing/reviewer, working with school groups, etc.).
· Participation in residency programs
· Participation in national or international exchange programs
· Participation in workshops/professional development activities/professional training
· Collaborative research/artistic production
I
National/International creative activity
II
Regional creative activity
III
State creative activity
IV
Local creative activity
THEATRE/FILM
CREATIVE ACTIVITY
Research active faculty members in Theatre and Film engage in the following kinds of creative activity:
· Serve in a primary creative capacity (to include but not limited to: Director, Cinematographer, Videographer, Actor, Designer, Camera Operator, Dramaturg, Editor, Producer, Consultant) on a live or media production
· Create an original screenplay, play, film, video or other media or mixed media work
· Present an original work as part of a festival, installation, or gallery show
· Submit grant proposals
· Visiting or guest artist/lecturer
· Adjudicator or juror for theatre productions, film festivals, etc.
· Participate in workshops/professional development activities/professional training
· Participation in residency programs
· Participation in national or international exchange programs
I
National/International creative activity, professional (Actor’s Equity Association (AEA), Screen Actors Guild (SAG), United Scenic Artist (USA), etc.) level productions, grant submissions (funded)
II
Regional professional theatre productions (AEA, USA, Lort B, Special Contract, Equity Waiver, etc); juried regional film festivals and exhibitions
III
Department production assignments and screenings; juried local film festivals and exhibitions
IV
Local and community theatre productions; non-juried local screenings, festivals and exhibitions; grant proposals (unfunded).
MUSIC and THEATRE/FILM
SCHOLARLY RESEARCH
Research active faculty members in Music, Theatre and Film engage in the following kinds of scholarly research:
I
- Authored scholarly book
- Authored textbook
- Authored exhibition catalogue at the national/international level
- Published interpretive materials (art exhibition, museum installation, film festival, concert, theatre production, etc.) at the national/international level
II
- Edited scholarly book
- Scholarly article
- Chapter in a collection of scholarly articles
Participation in competitive seminars - Fellowships to pursue work in research libraries
- Grants submissions (funded)
- Research Fulbrights and other competitive research fellowships
- Authored exhibition catalogue at the regional level
- Published interpretive materials (art exhibition, museum installation, film festival, concert, theatre production, etc.) at the regional level
III
- Editing a scholarly journal
- Editing a special edition of a scholarly journal
- Published critical review (book, work of art, exhibition, performance, etc.)
- Conference presentations, refereed
- Conference presentations by invitation
Encyclopedia article - Translating scholarly research
- Translating creative work
- Keynote addresses
On-line publication in venues of established reputation - Securing an internal grant, such as URAPF
- Authored exhibition catalogue at the local level
- Published interpretive materials (art exhibition, museum installation, film festival, concert, theatre production, etc.) at the local level
IV
- Web-mastering for professional organizations
- Professional conference organizing
- Serving as an office for a professional organization
- Organizing and chairing a panel at a professional conference
- Reviewing book manuscripts for publication
- Reviewing articles for publication
- Consulting of a professional nature
- Grants submissions (unfunded)
Over a three year period, research active faculty members will report three ongoing or completed activities. In other words, a research active faculty member will have something to report each year in his/her ARPA under “Professional Activity” section A or B, which will indicate he or she is publishing or moving work toward publication or exhibition. Section C should also indicate that work-in-progress is on-going, and is intended eventually for publication or exhibition. These items may come from any list, and may be a blend of both research and creative activity.
ART
RESEARCH AND CREATIVE ACTIVITY
Research active faculty members in Studio Art, Art History and Arts Education engage in the following kinds of research and creative activity:
Level I | Level II | Level III |
Exhibition as Artist | | |
Solo Juried Exhibition (gallery, museum, public installation; I, N, S, I, C) | Solo exhibition (Regional, Invitational) | Solo exhibition (local, non-competitive, volunteer) |
Two person or group show showing a body of work (national, competitive) | Group show with few pieces (competitive, national) | Group show with few pieces (regional, local, non-competitive) |
| Solo (Regional/local) | Submission of proposal for major public art installation |
Major public art installation (N, C) | Acquisition of artwork by a public organization/collection | Acquisition of artwork by a public organization/collection |
| | |
Exhibition as Organizer/Curator | | |
National, regional or traveling show | Co-curator | Submitting an exhibition proposal |
| | Submission of exhibition grant proposal |
Creation of major archival resource or scholarly collection (online or physical) | Creation of archival resource or scholarly collection (online or physical) | Significant additions to and/or maintenance of archival resource or scholarly collection (online or physical) |
Visiting Artist/Scholar Residency | | |
Visiting artist, scholar, or residency (national, competitive) | Regional, Local institution | Submission of Application for residency |
| Presentation: Gallery, lecture, visiting artist | |
Publication (print) | | |
Refereed book | | Submission of a book proposal |
Refereed journal article | Article (Regional/local) | Submission of an article proposal |
Refereed book chapter | | Submission of a chapter proposal |
Feature-length book review (N) | Book review (R) | Book review (L) |
Exhibition catalog essay/article | | |
Refereed review of art, art exhibition, or architecture (N) | Refereed review (R) | Review (L) |
Creative publication (solo, national distribution) | Creative publication (collaborative, national distribution) | |
Publication editing | | Article editing |
Exhibition catalogue design | Collaborative Exhibition catalogue design | Illustration(s) for creative or critical publication |
Publishing photographs, national | Publishing photographs, regional | Publishing photographs, local |
Creation of Archive (electronic, print, or physical) | | |
Creation of major archival resource, scholarly collection | Creation of archival resource or scholarly collection | Significant additions to and/or maintenance of archival resource or scholarly collection |
Media or Software | | |
Major Video/ Multimedia production (national distribution) | | Video/ Multimedia production, self-published (national distribution) |
Web art (nationally cited) | | |
Major Software development (national distribution) | | |
Professional Venues, Presentations, Sessions, Symposia, etc. | | |
Invited speaker (I,N,R) | | Invited speaker (L) |
Refereed conference presentation (national, regional) | Conference presentation (regional, local) | Submitting a proposal for a conference paper |
| Gallery lecture or talk | |
| Organizing a session | Submitting proposal for a conference session |
Grants/External funding | | |
Grant from Federal or State agency or Foundation | Submission of grant proposal | Submission of internal grant proposal |
Award from professional organization, etc. (I,N) | Award from professional organization, etc. (R) | Award from professional organization, etc. (L) |
Commission (National) | | Commissions (Local) |
The definition of a research active faculty member will require that the faculty member accomplish an average of at least three activity units per year based on a 3-year running average. Activity units will be assigned using criteria in the matrix of activities below. Additionally, at least one activity-unit annually must be obtained from activities listed in Levels 1 or 2.
Level I: 1 activity unit = 1 research item (Mainly national/international; single exhibitions; strongly competitive or invitational, etc.). [Some items, such a major exhibition or book publication, may be allocated more than 1 unit]
Level II: 1 activity unit = 2-3 research items (Regional/local scope; group exhibitions; competitive or invitational)
Level III : 1 activity unit = 3-5 research items (Local scope; non-competitive or volunteer activities)
ALL of these scenarios will also depend on the following:
A research active faculty member will have something to report each year in his/her ARPA under “Professional Activity” section A or B, which will indicate he or she is publishing or moving work toward publication or exhibition. Section C should also indicate that work-in-progress is on-going, and is intended eventually for publication or exhibition.
Research Activity in the Humanities
Faculty who are research active in the Humanities:
Production of any of the items or participation in any of the activities below, given appropriate quality (peer-reviewed journals, established presses, peer-reviewed academic conferences) indicates that a faculty member is research active. The combination and number will and certainly should shift from year to year, but what should remain evident is steadiness and seriousness in pursuing a coherent research agenda. That is, scholarly and creative production should result from engaged, long-term projects which are recognized by established communities of thinkers, writers, and scholars in the disciplines of Arts and Sciences
Research activity for the sake of reaching a numerical quota is discouraged. Department DPCs and Chairpersons must have the right and responsibility to judge and balance both quantity and quality when determining a faculty member’s research contribution relative to teaching and service. Department DPC and Chairs should also exercise their judgment in crediting a faculty member’s track record in producing quality scholarly work.
Publication is of the highest value, given appropriate quality (appearing in peer-reviewed venues), but credit should be given to all of the activities that will eventually lead to publication, particularly nationally competitive seminars and fellowships, research grants, conference presentations, and engaged or applied research.
I
Authored scholarly book
Books of poetry or fiction
II
Edited scholarly book
Scholarly article
Chapter in a collection of scholarly articles
A number of poems or fiction placed in appropriate periodicals
NEH (or other competitive) seminars
Fellowships to pursue work in research libraries
Competitive grants
Research Fulbrights and other competitive research fellowships
III
Poetry or fiction placed in important anthologies
Editing a scholarly journal
Editing a special edition of a scholarly journal
Book/Film/Performance Reviews
Film Festival Reviews
Multimedia publication (CD-ROM, electronic workbook, video production)
Conference presentations, refereed
Conference presentations by invitation
Encyclopedia article
Translating critical prose
Translating poetry or fiction
Keynote addresses
On-line publication in venues of established reputation
Securing an internal grant, such as URAPF
IV
Web-mastering for professional organizations
Professional conference organizing
Organizing and chairing a panel at a professional conference
Reviewing book manuscripts for publication
Reviewing articles for publication
Only broad quantitative parameters are appropriate for research in the Humanities. For instance, a research active faculty member may never produce a book, and yet publish a steady stream of important, substantial articles.
Some reasonable quantitative scenarios, again given appropriate quality, and never substituting for the judgment of DPCs and Chairs in the discipline:
1. Over an average of three years, a faculty member will produce 1 item from List II and 1 from List III while working on a scholarly or creative book which is eventually published in a later evaluation period.
2. Over three years a faculty member will produce 2 items from List II, and one from List III.
3. Over three years a faculty member will produce 1 item from List II and 3 from list III.
4. Over three years a faculty member will produce a rich combination of III and IV, (perhaps 5 or 6 items total) and there is a likelihood that these will lead to publication as in I or II.
ALL scenarios will also depend on the following:
A research active faculty member will have something to report each year in his/her ARPA under “Professional Activity” section A or B, which will indicate he or she is publishing or moving work toward publication. Section C should also indicate that work-in-progress is on-going, and is intended eventually for publication.
Research Activity in the Natural Sciences and Math
*** DRAFT v. 3***
(based on suggested approach and wording of Sara Lundquist, modified for NatSciMath in accordance with task force discussion and with input from dept chairs)
Faculty who are research active in the Natural Sciences and Mathematics:
Production of any of the items or participation in any of the activities below, given appropriate quality (high-level peer-reviewed journals, major conferences, key funding agencies, significant applied results, patents) indicates that a faculty member is research active. The combination and number will and certainly should shift from year to year, but what should remain evident is steadiness and seriousness in pursuing a coherent research agenda. That is, clear research output should result from engaged, long-term projects that are recognized by established bodies of professional scientists and mathematicians at the national or international level.
Research activity for the sake of reaching a numerical quota is discouraged. Department DPCs and Chairpersons must have the right and responsibility to judge and balance both quantity and quality when determining a faculty member’s research contribution relative to teaching and service. Those directly involved in the discipline are best suited to assess the research activities. Department DPC and Chairs should also exercise their judgment in crediting faculty member’s track record in producing quality scholarly work.
Publication of research results is of the highest value, given appropriate journal quality, but credit should be given to all activities that will eventually lead to publication, particularly nationally competitive seminars and fellowships; research grants, awards, and supporting elements; and conference presentations. The direction and guidance of graduate research projects, along with professional activities related to research expertise, are also key indicators of research activity.
Only broad quantitative parameters are appropriate for assessing research activity in the Natural Sciences and Mathematics, because of the significant differences between various disciplines and even subfields in such things as time to publication, appropriate dissemination venues, funding availability, collaboration levels, and expected outcomes.
Some specific indications of research activity include:
List I
Author or co-author of peer-reviewed journal articles, published or accepted
External research grants, competitively awarded through peer-review
Awards of observing time, beam time, or computational time, competitively awarded
Direction and guidance of graduate student or postdoctoral research projects
Author or co-author of monograph or textbook related to research expertise
Participation in interdisciplinary research
Keynote presentations at national or international conferences
Awards and prizes for research
Patents
Practical application of research knowledge
Pedagogical research and development for science and math teaching
List II
Submission of grant proposals for funding or time allocation
Author or co-author of peer-reviewed journal articles, submitted
External research grants and contracts, not peer-reviewed
National or international conference presentations, by invitation or competitively selected
Author or co-author of peer-reviewed conference proceedings articles
Editor (or editorial board member) of professional journal
Author or co-author of chapter in a collection of scholarly articles
Fellowships to pursue work in research institutions and laboratories
Competitive research fellowships
Direction and guidance of undergraduate student research projects
Professional conference organizing*
List III
National or international conference presentations (oral or poster), voluntary
Refereeing journal articles for professional journals*
Reviewing grant proposals for funding agencies*
Service on time allocation committees for research facilities*
Participation in professional societies and organizations*
Edited scholarly book
Securing an internal grant, such as URAPF
Planning and running a departmental research or teaching seminar
List IV
Presentation of research area to more general audiences
Publication of research-related articles for more general audiences
Consulting in area of research expertise
Organizing and chairing a panel at a professional conference*
* These items are considered as “service” by the CBA, but they are indicators of research activity since non-research active persons are not asked to do these sorts of tasks.
Some examples of reasonable quantitative scenarios again given appropriate quality, and never substituting for the judgment of DPCs and Chairs in the discipline, might include:
1. Over an average of three years, a faculty member will complete at least 1 item from List I, and at least 1 from List II.
2. Over three years a faculty member will produce 2 items from List II, and 2 from List III.
3. Over three years a faculty member will produce 1 item from List I and 3 from list III.
4. Over three years a faculty member will produce a rich combination of II, III, and IV, (perhaps 5 or 6 items total) and there is a likelihood that these will lead to publication as in I or II.
5. Over a two (or three) year period, a faculty member would complete 2 items from list I, 2 items from list II, and 2 items from III or IV.
ALL of these scenarios will also depend on the following:
A research active faculty member will have something to report each year in her/his ARPA under “Professional Activity” sections A, B, or C, which will indicate she or he is publishing or moving work toward publication, seeking or obtaining external research funding or support, and continuing active research projects. Section C should also indicate that work-in-progress is on going, and is intended eventually for publication. Note that all untenured tenure-track faculty members are by definition research-active, because they will not be renewed in their probationary period if they are not.
Research Activity in the Social Sciences
DRAFT 3
February 25, 2009
I. Guidelines for faculty who are research active in the Social Sciences:
Production of any of the items or participation in any of the activities listed below, given appropriate quality (peer-reviewed journals, established presses, foremost academic conferences) indicates that a faculty member is research active. The combination and number of professional activities will, and certainly should, shift from year to year, but what should remain evident is steadiness and seriousness in pursuing a coherent research agenda. That is, scholarly and creative production should result from engaged, long-term projects which are recognized by established communities of thinkers, writers, and scholars at the national, regional, state, or international level.
Research activity for the sake of reaching a numerical quota is discouraged. Department DPCs and Chairpersons must have the right and responsibility to judge and balance both quantity and quality when determining a faculty member’s research contribution relative to teaching and service. Department DPC and Chairs should also exercise their judgment in crediting a faculty member’s track record in producing quality scholarly work.
Publication is of the highest value, given appropriate quality, but credit should be given to all of the activities that will eventually lead to publication, particularly competitive fellowships, research grants, and conference presentations.
Only broad quantitative parameters are appropriate for research in the Social Sciences. For example, a research active faculty member may never produce a book, and yet publish a steady stream of important, substantial articles.
II. Professional Activities: Lists
List I
refereed research publication
book published
book contract
external grant funding
book chapter published
competitive research fellowship
ethnography, refereed publication
applied research, refereed publication
patent/ copyright
professional reporting/ publication
web-based publication, refereed
List II
refereed conference paper presentation
marketing development of book proposal
graduate student support from research funding
invited conference presentation
development/ writing/ marketing of grant proposal
grant application
software development
ethnographic research
applied research
book/ anthology chapter submission
book/ anthology chapter acceptance
excavation
field work
book review
book manuscript writing
article submission
article acceptance
collaborative research
edited book
journal editor
guest/ special edition editor
internal grant funding
organizing/ chairing panel @ professional conference (Also defined as Service: CBA, 9.1.1.3)
book manuscript review
review refereed articles for publication
grant/ project reports for campus/ external funding units/ agencies
review refereed grants
data collection
data analysis---primary, secondary
patent/ copyright application
performances/ exhibitions---juried, professional, peer-reviewed
public engagement/ involvement
List III
competitive disciplinary seminar
encyclopedia entry/ article
keynote address
development of community-based project, grant
on-line publication
campus/ community presentation
unpaid consulting (Also defined as Service: CBA, 9.1.1.3; Workload: CBA, 10.3.2.3.15)---publishers, journalists, community organizations, agencies, campus organizations/ units
supervision of student research---graduate, undergraduate (Also defined as Teaching: CBA, 9.1.1.1; Workload: CBA, 10.3.2.3.8)
facilitation/ supervision of internships
survey development
research design development
board member---disciplinary organizations, journals, community organizations, data monitoring
meeting abstracts
outreach efforts---community, regional, national, international
Graduate Faculty membership
III. Professional Activities: Examples
Reasonable quantitative scenarios---again, given appropriate quality, and never substituting for the judgment of DPCs and Chairs in the discipline---might include:
Example 1. A faculty member produces one book every seven years. Over an average of three years, he/she will produce 1 item as well from List II below, and 1 from List III.
Example 2. Over three years, a faculty member will produce 2 items from List II, and one from List III.
Example 3. Over three years, a faculty member will produce 1 item from List II and 3 from list III.
4. Over three years, a faculty member will produce a rich set of items from List III, (perhaps 5 or 6 items total) , and there is a likelihood that these will lead to publication as in List I or List II.
ALL of these scenarios will also depend on the following:
A research active faculty member will have something to report each year in his/her ARPA under “Professional Activity” Sections A or B, which will indicate that he/she is publishing or moving work toward publication. Section C of the ARPA should also indicate that work-in-progress is ongoing, and is intended for eventual publication.